This summer has been the best of my recent memory. I was informed by Cecile Chong that the space between the first and second year of an art graduate program is something very special. How was I to know the predictive nature of this statement, other than to experience it first hand? I received my first house-sitting assignment (ever!) and recognize this as a kind of right of passage into middleclasshood. I figure it's an opportunity to test waters of what it feels like to have stability, a place where you can actually keep your books instead of dispersing your library when moving to another apartment. The blazing heat has been similarly cooperative, baking me to a very attractive COCOACHiC and providing a number of opportunities to show some skin (#iheartbeingagirl). Anyway, I've been indulging in another pastime this summer, that has been a bit neglected. Where I'm from we call it "instigating", but in artspeak, it's a "critical dialogue". I have the good fortune of a spectacular platform to share my views (or instigate) and it's likely that I will continue to dig deeper (under the skin) to encourage an open conversation questioning the whys and hows of creative practice. I was speaking to a new friend and colleague, who at 70 years old, broke it all the way down when he said "Artists have a responsibility to their community. It's the least we can do for having the rare freedom do what we want with our time - we're kind of like sophisticated bums". My family would certainly agree about the bum part, as my begging for cash seems never-ending... "But, because I am a snazzy dresser,
and err on the side of volume when constructing my coiffures, I tend to
attract amazing cocktail conversations. This is helpful, especially
since these rapid dialogues often secure a studio visit or an invitation
to the next cocktail party." MORE
Dimepiece Summer 2013 ‘Woman-Hood’ Look Book
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